Monday, March 9, 2015

ART LOTTERY: Art as Ticket to $10,000


Grand E.Zobel Diwa Award, 2015 KIDLAT AWARDS

I have reason to believe the workload at Publicis JimenezBasic, my new agency in which I am blessed to have been given the title of Executive Creative Director, is heavier than most Philippine Agencies'. Five creatives per team, delivering work for at least 12 accounts. Twelve accounts divided amongst five creatives. Basically par for the course here. And yet, each team delivers so much in so little time. To witness this every single day is amazing.

Twelve accounts divided amongst five creatives also means hardly any time to work on competition briefs. Like this one given by the local creative Kidlat (Lightning) awards show, challenging us to come up with an idea on how to promote Filipino Fine Art in a land where Boom Panes rules music and Praybeyt Benjamin is the standard for film.

And yet, one Friday night, a handful of creatives decided to hunker down and give this one a go.

Off we went to this tiny restaurant downstairs called Chubby's. Over bottles of beer and plates of ribs, all sorts of ideas found themselves on the menu. Turning cabbies into art evangelists, in an idea we amusedly called 'Art Evangelista'. A beauty contest of 'Miss Earth' caliber, called 'Miss Art'. Mini Art Museums made from container vans. It was how brainstorming sessions should always be - fruitful and incredibly fun.

By the end of the session, we had narrowed the ideas down to our top four picks. And by Sunday night, we had narrowed it down some more to our top three. And am proud to say this was my best bet, so it came as no surprise when the Creative Guild announced that it had made it to the shortlist.

The team was flown to Boracay to present the idea in person, to a panel of judges. The eve of the presentation, we spent the entire night holed up in my hotel room, revising and re-revising, tweaking and re-tweaking the idea, making sure all holes were covered and all possible questions could be answered. And the final, most important tweak we made at 4AM came from a suggestion given by a good friend who also came to the hotel on an invitation to try Discovery Shores' amazing Bon Ton Fried Chicken - make the prize money of $10,000, THE lottery prize. I was to be told later on, that even as the idea itself was a hands-down winner even at first screening, it was that part of the presentation, that clinched the deal.

When it was announced that we had won the grand prize, the team was not around to go up onstage to receive it. In their exhaustion, they had fallen asleep. 

The job isn't easy, but I continue to be blessed with stories such as this, that remind me of why I love doing what I do.

Fried Chicken at 4AM

Slept through the awarding, but made it to the photo op

Trike riding after victory dining

Boat ride to the airport after a mission well accomplished

Friday, April 11, 2014

PAMPERS 'ZZZ RADIO'


'This is good and by all means, well-written,' I told my then-junior copywriter when he sent me his traditional radio scripts one day, 'But what I need more, is any of the following: A breakthrough idea for radio that will redefine the medium, or an idea for an integrated campaign using radio as the centerpiece medium; or an idea that uses radio to create change.'

Five days later, he came back to me with this. I knew the moment I saw it, that it was a winner. And in the most recent Asian Adfest where this idea made its debut, the judges apparently thought so too, and gave it two Silver and two Gold Lotuses.

2 Golds, 2 Silvers, 1 Shortlist - 2014 ASIAN ADFEST
1 Silver Pencil, 1 Shortlist - 2014 ONE SHOW
2 Golds, 3 Silvers - 2014 CREATIVE GUILD KIDLAT AWARDS
1 Bronze, 3 Shortlists - 2014 CANNES LIONS
1 Gold, 2014 SPIKES ASIA
1 Silver, 2014 CLIO
1 Silver, 2014 LONDON INTERNATIONAL ADVERTISING AWARDS

CEBUANA 'FAMILY RE-MEET'


It wasn't the idea I was told to recommend, but it was the idea my team and I believed in. Because it was real. And in its real-ness, a rare opportunity to truly help people and touch lives.

And so on that hot and humid afternoon, in the middle of Bizu Rockwell, in front of the media guys and to clients, I sold the idea. And in the months leading to its airing, I kept the original idea sold, despite the strongest threats of compromise and temptation to go 'the easy route' of doing re-enactments instead of filming the real thing - 'because clients are upset about why it's so difficult,' I was told by the Suits. I remember screaming in the middle of the open-plan office about how I was not going to compromise the effort with talents and re-enactments. Doing it for real was simply a non-negotiable. And everyone delivered.

When you have something special in your hands, you just know it. We were all squeezed into a little ante-room the size of a hotel bathroom. All of us - agency, client, producer, director, line producer, executive producer, with the multiple screens to monitor each of the six cameras hidden within the Cebuana branch. And after every filming, we got out of the room in tears. 'It isn't every day that we're able to do this job of ours and really help,' I told the kids, 'So remember this day, and remember this project, because it's special.'

A few months later, when it won silver Spikes, and a few months after that, when it won the Grande Lotus Roots at the Asian Adfest, I was just glad the jury saw what we knew from the start.

I thank these special people most - the sisters from Leyte, the father and son from Sultan Kudarat, the mother, her grandson and her son from Dubai - for filling our hearts with deep joy while doing this project. Truly one of my most memorable. 

As one of the Adfest judges said, 'This is what it's all about.'

1 Silver, 2013 SPIKES
1 Grande Lotus Roots, 2014 ASIAN ADFEST
2 Silvers, 2014 ASIAN ADFEST

Saturday, June 22, 2013

Two Gold Lions. And one Silver. And one Bronze. Big, iconic, Filipino brand formerly seen as extremely traditional. Real work that grew the business and built the brand. Was talked about; written about; sung about. An idea so big it mobilized 3/4 the agency over a full year. And the most fu*king difficult Case Study Video to pull all that together. A very meaningful win for us at Saatchi. Truly, nothing is impossible with one team, one dream.

Saturday, February 11, 2012

FEBRUARY 11, 2012: PLDT MyDSL "Anna Banana" TVC (Integrated)



PLDT MyDSL "Anna Banana" TVC 60s (with Integrated Campaign)

DIRECTED BY:
Henry Frejas, Filmex

ORIGINAL CONCEPT BY:
Jordan Santos, Associate Creative Director

CREATIVES (TVC):
Andrew Petch, ECD;
Trixie Diyco and Greg Martin, CDs;
Jordan Santos, ACD;
Hans Malang, AD

CREATIVES (IMC):
Windell Aboy, AD;
Paolo Agulto, Copywriter;
Petra Magno, Copywriter;
Gelo Lico, AD

A product of the blurred lines between teams and a rare unconditional collaboration between Creative Directors. All for The Work. Am very proud of this one. Was not easy to do, but am very, very proud.

Friday, June 24, 2011

ARIEL 'FASHION LAUNDRY' INTEGRATED CAMPAIGN


This is a particularly special win for me, perhaps the sweetest in my career so far, for many reasons:

1. It is my team's second Cannes Lion (the first, being a Silver Lion last year for The North Face Outdoor Essentials)

2. It is the Philippines' first integrated campaign that has ever won a Cannes Lion; it is the only integrated campaign from the Philippines that won a Cannes Lion this year

3. It was a product of a real brief: requested, supported, and paid for by a big, multinational company for a big, known global brand

4. It was the result of a Client-Accounts-Creatives-Activation/Integration-Production teamwork like no other I have seen

5. It resulted in oustanding business growth for the brand

6. It forged a stronger relationship between P&G and Saatchi Manila based on trust and faith in our creative ideas

7. It paves the way for greater and greater work from Saatchi Manila

8. And it is proof that if you just keep your eyes on the work and nothing else, nothing is impossible.

1 Bronze Lion, 2012 CANNES LIONS
3 Silvers, 2011 SPIKES
2 Bronzes, 2012 THE AWARD AWARD
1 Pencil, 2012 THE ONE SHOW
1 Merit Certificate, 2012 THE ONE SHOW

Saturday, April 23, 2011

ARIEL 'FASHION LAUNDRY' INTEGRATED CAMPAIGN

This is a project we've been working on for almost a year now. One of those increasingly rare times when everyone from Client to Agency, to consumers, even (the Cleans Like New campaign did wonders for sales!), was happy with the results!





NEWLY-WASHED CLOTHES WERE GIVEN BACK TO CUSTOMERS IN SHOPPING BAGS

EACH NEWLY-WASHED PIECE OF CLOTHING CAME WITH ITS OWN SHOPPING TAG

The Proposition was: Ariel Laundry Detergent cleans clothes like new. So we wanted to convert laundromats into clothing boutiques in order to dramatize that when your clothes are washed with Ariel, they're kept looking so new, you could actually mistake them for brand new clothes.

Part of this Integrated Campaign were Online Shopping Ads on Facebook that, when clicked, directed consumers to a Metropole site that mimicked an online shopping page that displayed newly-washed clothes rather than brand new ones. All kept lookin
g like new of course, with the use of Ariel.


NEW-LOOKING CLOTHES ON ONLINE SHOPPING SITE

WHEN CLICKED, REVEALED AS NEWLY-WASHED WITH ARIEL

CONCEPT BY: Bia Fernandez & Acid Cid (for the laundromat), Tony Sarmiento & Trixie F. Diyco (for the online shopping)
EXECUTIVE CREATIVE DIRECTOR: Andrew Petch
CREATIVE DIRECTOR: Trixie F. Diyco
ASSOCIATE CREATIVE DIRECTOR: Chin Pangan
COPYWRITER: Bia Fernandez
ART DIRECTORS: Acid Cid, Janette de Veyra
ACTIVATION TEAM: Aya
ACCOUNT SERVICE TEAM: Lou Santos, Carlos Domingo, Crissy Ancheta

Sunday, April 17, 2011

Safeguard "TUB" Promo TVC 30s

CONCEPT & COPY BY: Aste Gutierrez
EXECUTIVE CREATIVE DIRECTOR: Andrew Petch
CREATIVE DRIECTOR: Trixie F. Diyco
ART DIRECTOR: Biboy Royong
DIRECTED BY: Henry Frejas
PRODUCED BY: Karen Sto. Domingo
ACCOUNT SERVICE: Junnis Martinez, Lou Santos, Eva Ocampo

Friday, February 11, 2011

SAFEGUARD "DIRTY WORKERS" CAMPAIGN

May 4, 2011: 

"Manicurista" TVC won a Silver metal for Film Single Entry in the 2011 Philippine Creative Guild Kidlat Awards. It also won two other Silvers for Craft - Direction and Cinematography.

"Fish Vendor" TVC won a Bronze for Film Single Entry.

"MANICURISTA" TVC 60s
"FISH VENDOR" TVC 60s
CONCEPT: Aste Gutierrez
EXECUTIVE CREATIVE DIRECTOR: Andrew Petch
CREATIVE DIRECTOR: Trixie F. Diyco
COPYWRITERS: Aste Gutierrez, Paula Berroya
ART DIRECTOR: Biboy Royong
ACCOUNT SUPERVISOR: Junnis Martinez
DIRECTOR: Paolo Villaluna
PRODUCTION HOUSE: Filmex
PRODUCER: Karen Sto. Domingo


* As of March, 2012, "Manicurista" (renamed "Pedicurista") and "Fish Vendor" (renamed "Market Worker") won a Gold Film Lotus and a Silver Film Lotus at the most recent Australasian Adfest held in Pattaya, Thailand.

SAFEGUARD "TISSUES" DM

* May 4, 2011: "Tissues" won a Bronze metal for Promo & Direct at the 2011 Philippine Creative Guild Kidlat Awards. It also won another Bronze metal for the category called "What The???", which awards "work for whose category cannot be defined".


(COPY: This tissue won't stop your germs reaching her.)

CONCEPT: Ian San Gabriel
EXECUTIVE CREATIVE DIRECTOR: Andrew Petch
CREATIVE DIRECTOR: Trixie F. Diyco
ASSOCIATE CREATIVE DIRECTOR: Bia Fernandez
COPYWRITER: Bia Fernandez
ART DIRECTOR: Ian San Gabriel
ACCOUNT SUPERVISOR: Junnis Martinez

Wednesday, September 8, 2010

Safeguard "CONTAGIOUS BLESS YOU" TVC 30s

* May 4, 2011: "Bless You" TVC was one of only 11 Finalists in the Film Category of the 2011 Philippine Creative Guild Kidlat Awards.

An initiative we shot while shooting something else, and which client decided to air with the main ad.
EXECUTIVE CREATIVE DIRECTOR: Andrew Petch
CREATIVE DIRECTOR: Trixie F. Diyco
COPYWRITER: Trixie F. Diyco
ART DIRECTOR: Noel Martin
DIRECTOR: Raul Ona

Tuesday, August 3, 2010

Shangri-La Plaza Mall "ISRAELI STARS" print ad

CONCEPT, COPY & ART DIRECTION BY: Trixie F. Diyco and Bong Banal
CREATIVE DIRECTOR: Kathleen Mojica

I did this ad when I was still a junior in McCann-Erickson, which is pretty darn obvious with the way I overexplained the ad in the copy. Nevertheless, I consider this ad a great start.

Tuesday, June 29, 2010

SILVER CANNES LION



EXECUTIVE CREATIVE DIRECTORS: Raoul Floresca, Tony Sarmiento, Andrew Petch
CREATIVE DIRECTOR: Trixie F. Diyco
CONCEPT & COPY: Maan Agsalud, Paolo Agulto
ART DIRECTION: Janette de Veyra

Monday, May 31, 2010

P&G YAMAN PROMO TIDE/ARIEL/SAFEGUARD 30s

I was just recently given a new account. And with it, an additional team. Yes, aside from my girls' team, I now have a boys' team. That means double the work, but double too, the heart-fluttering ideas, such as this campaign which my boys did for P&G. An example of how a simple, funny idea - You'd do anything to win a million bucks - is made even better with a great director, perfect casting, the right announcer, ten soundtrack compres, and great clients who allow you to win a good number of arguments.

CONCEPT, COPY & ART DIRECTION: Aste Gutierrez, Biboy Royong
EXECUTIVE CREATIVE DIRECTORS: Raoul Floresca, Tony Sarmiento, Andrew Petch
CREATIVE DIRECTOR: Trixie F. Diyco
DIRECTOR: Henry Frejas

ARIEL TVC 30s

SAFEGUARD TVC 30s

TIDE 30s

Saturday, April 17, 2010

SAATCHI MANILA FINISHES 2ND IN KIDLAT

THE NORTH FACE OUTDOOR ESSENTIALS
2 Bronzes, 1 Silver, 1 Gold

"What's clear is that Ace Saatchi & Saatchi is definitely back in business. It racked up ten metals in the main and craft categories, including one Gold Kidlat. Leveraging its strength in print, many of its wins were attributed to its campaigns for North Face and Vespa.

By doing so, it outstripped other players like DM9 JaymeSyfu (a total of one), Ogilvy & Mather (total of two), and JWT (three all in all)."


- Adobo Magazine

Sunday, July 12, 2009

If this is what Droga believes in...

... then I guess I am on the right track. An excerpt from a speech on leadership, given by David Droga in 2001:


LEADERSHIP by David Droga

SO LET’S TALK LEADERSHIP.

OR AT LEAST MY IMPRESSION OF WHAT MAKES A GOOD LEADER.

SO WHAT IS IT?

WHERE DOES IT COME FROM?

AND WHY SHOULD ANYONE FOLLOW?

PERHAPS THE MOST IMPORTANT THING I’VE LEARNT IS THERE JUST ISN’T A FORMULA FOR IT.

ONE THING I DO KNOW, IS THAT IN TODAY’S WORLD; IT’S ALL ABOUT RESPECT AND NOTHING TO DO WITH FEAR AND INTIMIDATION.

AND THANK GOODNESS FOR THAT.

ANY ARSE HOLE CAN BE A BOSS; IT TAKES A WHOLE LOT MORE TO BE A LEADER.

IT TAKES COURAGE TO BE REAL AND GENUINE.

IT TAKES COURAGE TO BE YOURSELF AND NOT ACT LIKE A STEREOTYPE OF SOMEONE YOU THINK YOU SHOULD BE.

BUT THAT’S NOT TO SAY LEADERSHIP IS ABOUT FRIENDSHIPS AND HANDHOLDING.

BEING REAL IS ABOUT HONESTY AND LOYALTY.

IT’S ABOUT SAYING WHAT YOU’LL DO, DOING WHAT YOU SAY AND NOT HAVING HIDDEN AGENDAS.

THANKFULLY THE DAYS OF BLATANT OFFICE POLITICS, MIND GAMES, AND SCREAMING TYRANTS ARE OVER.

I NEVER PLANNED OR WANTED TO BE ANYONE’S BOSS.

I JUST LOVE GREAT IDEAS.

AND IF BEING A LEADER MEANS I GET TO ENJOY MORE IDEAS, THEN PERFECT THE REVELATION FOR ME WAS WHEN I DISCOVERED THE IDEAS DIDN’T HAVE TO BE MINE FOR ME TO LOVE THEM.

AS A WRITER I WAS ALWAYS OBSESSED WITH THE IDEAS HAVING TO BE MINE. IT HAD TO COME FROM ME. I HAD TO CRACK IT.

BUT THEN I DISCOVERED I GOT MORE ENJOYMENT OUT OF BUILDING AN AGENCY THAN ANY SINGLE AD.

AND TO DO THAT I SUDDENLY REALISED I HAD TO BE AS INTERESTED AND WORRIED ABOUT MY DEPARTMENTS CAREER AS MUCH AS MY OWN.

YOU HAVE TO ENJOY THE SUCCESS OF OTHERS.

LET PEOPLE KNOW UP FRONT WHAT YOUR EXPECTATIONS ARE OF THEM. BUT MORE IMPORTANTLY BE AWARE OF WHAT YOUR TEAMS EXPECTATIONS ARE OF YOU.

WHEN I ARRIVED IN LONDON I KNEW I WAS A FISH OUT OF WATER.

EVERYONE WAS THINKING

“WHO DOES THIS GUY THINK HE IS”

A YOUNGISH AUSTRALIAN FROM SINGAPORE IN A HOSTILE ENVIRONMENT.

THE ONLY THING ON MY SIDE WAS COMPLETE IGNORANCE, NONE OF THE BAGGAGE AND SOMETHING TO PROVE.

SO FROM MY VERY FIRST DAY, I KNEW I HAD TO BE STRAIGHTFORWARD.

THE MOST IMPORTANT THING IS FOR YOUR TEAMS TO UNDERSTAND YOUR VISION. BECAUSE ALL THEY WANT TO KNOW IS,

WHAT YOU’RE ABOUT.

WHAT ARE YOUR PRINCIPALS?
AND WHAT’S IN IT FOR THEM.

WHAT’S IN IT FOR THEM
ARE THEIR CAREERS BETTER OFF UNDER ME?
WHICH IS INCREDIBLY REASONABLE.

NOW YOU ALL KNOW, I’M BASICALLY A PRETTY SIMPLE BLOKE. SO THE THINGS I ADHERE TO ARE PRETTY SIMPLE.

I DON’T EXPECT PEOPLE WILL WANT TO WORK FOR ME IF I’M NOT ADDING VALUE TO THEIR WORK. IT’S THAT SIMPLE.

I NEVER UNDERSTOOD AGENCIES THAT RELY ON A FEW STAR TEAMS. IF YOU JUST GIVE ALL THE GOOD BRIEFS TO THE SAME TEAM. WHAT DOES THAT DO FOR THE MORALE OF OTHER TEAMS?

WHEN IT COMES TO AWARDS, I DON’T JUDGE MYSELF ON THE NUMBER OF AWARDS THE AGENCY HAS WON,
I JUDGE MYSELF ON THE NUMBER OF DIFFERENT TEAMS THAT HAVE WON.

WHEN I WAS IN SINGAPORE EVERY TEAM WON A CANNES LION
THAT MADE THE CREATIVE DEPARTMENT BIGGER THAN ANY ONE INDIVIDUAL.

IT ALSO CREATES AN EVIRONMENT THAT PEOPLE HAVE TO LIVE UP TO.
AND ONCE THAT MOOD IS IN AN AGENCY IT NOT ONLY BECOMES ADDICTIVE IT SNOWBALLS FOR EVERYONE’S BENEFIT.

IN LONDON I DON’T HAVE FAVORITES.
I’D LIKE TO BELIEVE THAT EVERYONE HAS AT LEAST ONE OPPORTUNITY ON THEIR DESK.
IF YOU SHARE THE GLORY BRIEFS AROUND, EVERYONE IS HAPPIER TO SHARE THE PAINFUL ONES AS WELL.

I’VE BEEN IN LONDON FOR NEARLY THREE YEARS NOW AND IN THAT TIME 16 DIFFERENT TEAMS HAVE WON CANNES LIONS.
WHICH ISN’T BAD, HOWEVER THE REALITY IS I STILL HAVE TO DELIVER FOR 15 OTHER TEAMS WHO ARE YET TO WIN A LION.

I DON’T THINK YOU CAN PUSH PEOPLE TO WORK HARD, UNLESS YOU WORK HARD YOURSELF.
I LOVE SLEEP MORE THAN ANYONE I KNOW,
HOWEVER I MAKE A POINT OF BEING FIRST IN EVERY MORNING AND ONE OF THE LAST OUT EVERY DAY.
I KNOW CREATIVITY ISN’T ABOUT THE HOURS YOU PUT IN, BUT YOU CAN’T EXPECT TO MOTIVATE PEOPLE IF YOU DON’T SET AN EXAMPLE.

I DON’T THINK YOU CAN EXPECT PEOPLE TO BE LOYAL UNLESS YOU DISPLAY LOYALTY YOURSELF.

ALWAYS TRY AND WORK WITH PEOPLE THAT INSPIRE YOU.

I WORKED WITH SOME INCREDIBLY TALENTED INDIVIDUALS AND HAVE ALWAYS LOOKED TO HIRE PEOPLE BETTER THAN ME

AND MOST IMPORTANT PEOPLE WANT TO WORK IN A FUN ENVIRONMENT.

THAT DOESN’T MEAN TURNING THE OFFICE INTO AN AMUSEMENT ARCADE.
BUT RATHER GIVING PEOPLE THE FREEDOM TO BE THEMSELVES
WHEN THERE IS WORK TO BE DONE IT GOES WITHOUT SAYING THAT YOU NEED TO PERFORM.
BUT WHEN IT’S NOT BUSY, A BIT OF CHAOS, STUPIDITY AND LAZINESS IS FANTASTIC.

LAUGHTER AND UNITY ARE THE ONLY THINGS THAT GET YOU THROUGH THE HARD TIMES.

I’M NOT INTERESTED IN POPULARITY BUT IT’S CERTAINLY A BONUS IF YOU WORK WITH PEOPLE YOU LIKE.

AND TO DATE I’VE BEEN VERY FORTUNATE WITH THE AGENCIES AND PEOPLE I’VE WORKED WITH.
MANY OF WHOM ARE IN THIS ROOM TODAY.

IT VERY EASY TO BE LEADER WHEN THINGS ARE RUNNING SMOOTHLY.
A TRUE TEST IS WHEN THE SHIT HITS THE FAN.
ARE YOU WILLING TO TAKE THE RESPONSIBILITY AND NOT LOOK FOR SCAPEGOATS?

WHEN PEOPLE SEE YOU STAND BY YOUR WORD AND KEEP IT TOGETHER AT THE HARDEST TIMES. THAT IS WHEN YOU EARN RESPECT.

IT’S STRANGE HOW SO MANY PEOPLE DON’T WANT TO BE ACCOUNTABLE FOR ANYTHING OR ANYONE.

AT THE END OF THE DAY, I’VE NEVER SEEN MYSELF AS A MANAGEMENT TYPE PERSON.
I HAD ADMINISTRATION.
I LOATHE PROCESS
AND DESPISE MEETING.

HOWEVER I DO FEEL CONFIDENT IN TWO THINGS.
MY ETHICS AND MY OPINION.

THAT’S NOT TO SAY I BELIEVE MY OPINION IS ALWAYS RIGHT OR THE ONLY ONE.
HOWEVER, IF I DON’T TRUST MY OWN OPINION WHO ELSE IS GOING TO TRUST IT.
ONE CONFIDENT OPINION IS MORE VALUABLE THAN DOZENS OF “NOT SURE’S”
PEOPLE NEED DECISIVE DECISION-MAKERS.
RIGHT OR WRONG.
BUT AS I SAID, SO LONG AS YOU ARE PREPARED TO SHOULDER THE RAMIFICATIONS OF EVERY DECISION

ANOTHER THING THAT AMAZES ME WITH A LOT OF AGENCIES IS THE LACK OF INTERNAL COMMUNICATION.

I MAKE A POINT OF HOLDING WEEKLY MEETINGS WITH EVERYONE.
KEEPING EVERYONE UP TO DATE WITH KEY BUSINESS ISSUES, POTENTIAL INSPIRING AND TRIVIAL AGENCY GOSSIP.
WE ALSO USE IT AS A FORUM TO SHARE ALL THE LATEST CREATIVE WORK.
THIS USUALLY KEEPS THE FLAMES OF INTERNAL COMPETITION BURNING

NOTHING MOTIVATES CREATIVES MORE THAN SOME ELSE IN THE SAME DEPARTMENT DOING GREAT WORK.
I AM A HUGE BELIEVER IN STIRRING UP A COMPETITIVE NATURE WITHIN THE OFFICE.
OBVIOUSLY IN A FRIENDLY WAY, NOT BITCHY.

NOW ALL OF THIS IS PRETTY SIMPLE STUFF.

BUT THAT’S WHAT SO MANY AGENCIES LACK. THE BASICS.

HOWEVER THERE IS ONE OTHER THING MORE IMPORTANT THAN EVERYTHING ELSE.
AND THAT’S SOMETHING NO WRITTEN SPEECH CAN CONVEY.
AND YOU CAN’T INHERIT IT WITH A TITLE.

AND THAT IS SINCERITY

ANYONE CAN PREACH THE RIGHT THING.
BUT IT’S ALL-WORTHLESS IF THEY DON’T BELIEVE IT.

IF YOU BELIEVE IN WHAT YOU ARE DOING, PEOPLE AROUND YOU KNOW IT.

I’M CERTAINLY NOT THE MOST ARTICULATE PERSON AROUND.
BUT I LIKE TO THINK I’M ONE OF THE MOST PASSIONATE.
WHY.

BECAUSE I TAKE LEADERSHIP PERSONALLY

THANK YOU.

BE GREAT IT’S MORE FUN

Sunday, June 14, 2009

2002: ELIZABETH 90s


This 90-second spot was a first of its kind during a time when the local advertising industry had yet to discover how to do amazing food shots (the local fastfood chain Chow King picked it up soon after, and made a killing doing it). This was a product of true collaboration and trust between Agency and Production House. When this was launched via a media roadblock (a material aired simultaneously across all channels), the entire production team, including direk Mandy, Tita Lyds, Giboy, and the McCann creative and accounts teams, were all - literally - in tears. This taught me very early on in my career, that even the most basic of ideas can be made spectacular when placed in the hands of people who know and love what they're doing.

CREATIVE DIRECTOR: Micky Domingo
ASSOCIATE CREATIVE DIRECTOR: Trixie F. Diyco
CONCEPT, COPY AND ART DIRECTION BY: Trixie F. Diyco and May Villavecer
DIRECTOR: Mandy Reyes
FOOD STYLIST: Lydia Go
DIRECTOR OF PHOTOGRAPHY: Giboy Vistan
MUSIC: Jessie Lasaten

2005: BRIGHTER SIDE 30s

EXECUTIVE CREATIVE DIRECTOR: Micky Domingo
CREATIVE DIRECTOR: Vianne Perdigon
ASSOCIATE CREATIVE DIRECTOR: Trixie F. Diyco
CONCEPT AND COPY BY: Katrina Lagman
ART DIRECTION BY: Daisy Estevanez
DIRECTOR: Mandy Reyes

Wednesday, June 10, 2009

2006: ALAY 30s

EXECUTIVE CREATIVE DIRECTOR: Micky Domingo
CREATIVE DIRECTOR: Trixie F. Diyco
CONCEPT AND ART DIRECTION BY: Ryan Giron
COPY BY: Trixie F. Diyco, Ryan Giron
DIRECTOR: Ivan Guerrero

2007: MANHOLE 30s

CHIEF CREATIVE OFFICER: David Guerrero
EXECUTIVE CREATIVE DIRECTORS: Joel Limchoc, Simon Welsh
CREATIVE DIRECTOR: Trixie F. Diyco
ASSOCIATE CREATIVE DIRECTOR: Joni Caparas
CONCEPT BY: David Guerrero
COPY BY: Trixie F. Diyco
ART DIRECTION BY: Joni Caparas
DIRECTOR: Martin Arnaldo